Fenomena ‘Entertainment Architecture’ di Indonesia dan Perkembangan dalam Arsitektur
DOI:
https://doi.org/10.29080/emara.v2i2.20Keywords:
entertainment architecture, phenomenon, typeAbstract
Fenomena ‘entertainment architecture’ berkembang pada paruh akhir abad 20 di dunia yang ditandai dengan kehadiran karya-karya arsitektur yang dibangun dengan tujuan utama sebagai hiburan yang atraktif bagi penggunanya. Kajian ini merupakan upaya untuk menganalisis munculnya fenomena ‘entertainment architecture’ sebagai sebuah tipe dalam karya arsitektur, khususnya di Indonesia. Metode penelitian yang digunakan dalam penelitian ini adalah metode penelitian kualitatif dengan paradigma naturalistik Tujuan penelitian ini adalah untuk mengetahui dan menemukan pengertian ‘entertainment architecture’, berbagai karakteristik tertentu dalam bentuk rupa dan wujud arsitekturalnya dan bagaimana karakteristik tersebut dapat dibaca sebagai sebuah tipe dalam perkembangan arsitektur. Hasil kajian memberikan kesimpulan bahwa fenomena ‘entertainment architecture’ di Indonesia dapat dibaca sebagai perkembangan gagasan baru dalam paras berpikir dan membuat arsitektur melalui bahasa bangunan yang tertampilkan melalui sosok, tampang dan wujudnya yang berbeda dengan bahasa bangunan yang telah ada sebelumnya.
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Venturi, R., Scott-Brown, D., Izenour, S. (1972) Learning from Las Vegas: Revised Edition: The Forgotten Symbolism of Architectural Form. Cambridge: MIT Press.
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Zerhusen II, R. F. (2007) Entertainment Architecture: Contextually Integrated Water Park Resort in Norwood, Ohio (Thesis), University of Cincinnati, Ohio
Ahlava, A. (2002) Architecture in Consumer Society. Doctoral Dissertation. University of Art and Design, Helsinki.
Amanati, R. (2008). Transformasi Makna dalam Tampilan Visual Arsitektur Theme Park. Jurnal Sains dan Teknologi, 7(2), 45-53.
Anonim. (2011). The Paradise in Indonesia: Jawa Timur Park 2 - Batu Secret Zoo, Theme Park & Museum. Retrieved March 16, 2016, from http://surabaya-batu.blogspot.co.id/2011/01/jawa-timur-park-2-zoo-theme-park-museum.html
Anonim. (2016). coney-island-wallpaper-2.jpg
. Retrieved February 10, 2016, from http://www.coneyislandbre.com/coney-island-wallpaper-2.jpg
Azyafira. (2014). Suroboyo Carnival Night Market [Blog]. Retrieved March 16, 2016, from http://azyafiraw.blogspot.co.id/2014/10/suroboyo-carnival-night-market-tempat-jl.html
Baudrillard, J. (1996). Disneyworld Company. Retrieved from: http://www.ctheory.net/articles.aspx?id=158. 09 Januari 2015.15.04 am.
Bonta, J. P. (1979) Architecture and Its Intrepretation: A Study of Expressive Systems in Architecture, New York: Rizolli International Publications, Inc.
Bourdieu, P. (1999) Language and Symbolic Power in Jaworski, A. & Coupland, N. (Eds.), The Discourse Reader, London: Routledge.
Burris, J. (2011). The “Urban Photogénie” of Architainment. The Journal of Aesthetics and Art Criticism, 69(1), 93–103. https://doi.org/10.1111/j.1540-6245.2010.01450.x
Crysler, G. C., Cairns, S. & Heynen, H. (Eds.) (2012) The SAGE Handbook of Architectural Theory. London: SAGE.
Creswell, J. W. (2011) Educational Research, Planning, Conducting, and Evaluating Quantitative and Qualitative Research. Boston: Pearson Education, Inc.
disneyland.disney.go.com. (2016, March 16). Disneyland Park. Retrieved February 10, 2017, from https://disneyland/
Dunlop, B. (2011) Building A Dream: The Art of Disney Architecture. ABRAMS.
Elliot, A. (Ed.). (2010) The Routledge Companion of Social Theory. New York: Routledge.
El-Husseiny, M .(2004) A View on Contemporary Architecture in Egypt. Journal of Architectural Design 74(6), 79.
Eldemery, I. (2009). Globalization Challenges in Architecture. Journal of Architectural and Planning Research, 26(4), 343-354. Retrieved from http://www.jstor.org/stable/43030883
Evensen, T. T., (1987) Archetypes in Architecture. Norway: Norwegian University Press.
Foucault, M. (1999) The Incitement to Discourse in Jaworski, A. & Coupland, N. (Eds.). The Discourse Reader. London: Routledge.
Gunawan, U. (2013). Fenomologi Arsitektur; Konsep, Sejarah Dan Gagasannya. Nalars, 12(1). Retrieved from https://jurnal.umj.ac.id/index.php?journal=nalars&page=article&op=view&path%5B%5D=569.
Hays, K. M. (1998) Architectural Theory since 1968. Cambridge: The MIT Press.
Herwig, O. & Holzherr, F. (2006) Architecture and Entertainment. Munich, New York: Prestel.
Hardiyati. (2015). Guna dan Citra Detail Arsitektural pada Rumah Jawa di Surakarta (Disertasi). Institut Teknologi Sepuluh Nopember, Surabaya
Fernandez-Galiano (2005) Spectacle and Its Discontents; or The Elusive Joys in Architainment in W.S. Saunders (Ed.): Commodification and Spectacle in Architecture. London: University of Minnesota Press.
Jones, P. (2011) The Sociology of Architecture: Constructing Identities. UK: Liverpool University Press.
Kamil, R. (2001). Hiper-realitas Kota dan Arsitektur. Harian Kompas Edisi Minggu 4 Maret 2001.
Kane, J. (2013) The Architecture of Pleasure : British Amusement Park 1900-1939. London: Ashgate.
Kant, I. (1911 [1790]) Kant’s Critique of Aesthetic Judgement. Translated by James Creed Meredith. Oxford: Clarendon Press.
Kelbaugh, D. (2004). Seven fallacies in architectural culture. Journal of Architectural Education, 58(1), 66-68.
King, M. J. (2002). The Theme Park: Aspects of Experience in a Four-Dimensional Landscape. Material Culture, 34(2), 1-15.
Klassen, W. (1992) Architecture and Philosophy: Phenomenology, Hermeneutics, Deconstruction. Cebu: University of San Carlo Press.
Klein, N. M. (2004).The Vatican to Vegas: The History of Special Effect. New York: New Press.
Littaye, P. par A. (2010). Eric Heschong Disneyland’s New Tomorrowland TRUE Original Artwork. Retrieved from http://disneyandmore.blogspot.com/2010/10/eric-heschong-disneylands-1998.html
Mills, R. (2009) Meaningful Differentiation: Manifesting Context in Architecture as a Strategy in the Experience Economy. Thesis. Ohio: University of Cincinnati.
Ockman, J. & Eign, E. (Eds.). (1993) Architecture Culture 1943-1968: A Documentary Anthology. New York: Rizzoli.
Pangarsa, G. W. (2008). Arsitektur untuk Kemanusiaan: Teropong Visual Culture atas Karya-karya Eko Prawoto. Surabaya: WastuLaNas Grafika.
pegipegi.com. (2014). Gangster Town Museum Angkot. Retrieved March 16, 2016, from https://www.pegipegi.com/attraction/T00576/34114_T00576_www_museumangkut_com_wpcontent_uploads_2014_07_GANGSTERSLYDER.jpg
Piliang, Y. A. (2004) Posrealitas Realitas Kebudayaan dalam Era Metafisika. Jalasutra.
Prijotomo, J. (2015) Arsitektur Nusantara: Sebuah Kunjungan. Surabaya: Wastu LaNas Grafika (belum diterbitkan).
Sapir, E. (1949) Language: An Introduction to the Study of Speech. New York: A Harvest Book, in Hidayat, F. (2005). Pengantar Menuju Filsafat Indonesia. https://www.scribd.com/doc/312006293/Ferry-Hidayat-Pengantar-Menuju-Filsafat-Indonesia. Senin, 14 Maret 2016. 21.08
Holl, S., Pallasmaa, J. & Gomez, A. P. (1994) Questions of Perception: Phenomenology of Architecture. Tokyo: A+U Publishing.
Venturi, R. (1966) Complexity and Contradiction in Architecture. New York: The Museum of Modern Art.
Venturi, R., Scott-Brown, D., Izenour, S. (1972) Learning from Las Vegas: Revised Edition: The Forgotten Symbolism of Architectural Form. Cambridge: MIT Press.
Vesely, D. (2004) In The Age of Divided Representation: The question of creativity in The Shadow of Production. Cambridge: Massachusetts Institute of Technology.
Walz, S. P. (2010) Toward a Ludic Architecture. The Space of Play and Games. Carnegie Mellon University.ETC Press.
Zerhusen II, R. F. (2007) Entertainment Architecture: Contextually Integrated Water Park Resort in Norwood, Ohio (Thesis), University of Cincinnati, Ohio
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Published
2017-02-13
How to Cite
Nuffida, N. E., Prijotomo, J., & Rachmawati, M. (2017). Fenomena ‘Entertainment Architecture’ di Indonesia dan Perkembangan dalam Arsitektur. EMARA: Indonesian Journal of Architecture, 2(2), 53–60. https://doi.org/10.29080/emara.v2i2.20
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